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Review of BRUCKNER Symphony No 7 (Nelsons)

BRUCKNER Symphony No 7 (Nelsons)

There was a time when collectors must have thought that the sublime outpouring of grace and goodwill that is Bruckner’s...

Reviewed by Richard Osborne in issue: 07/2018

Review of BRUCKNER Symphony No 3 (Schaller)

BRUCKNER Symphony No 3 (Schaller)

Gerd Schaller has made something of a speciality of performing rarely heard or forgotten Bruckner scores. This new recording of...

Reviewed by Christian Hoskins in issue: 07/2018

Review of BRUCH A Scottish Fantasy (Bell)

BRUCH A Scottish Fantasy (Bell)

Joshua Bell was in his teens when he first recorded the Bruch G minor and Mendelssohn concertos with Neville Marriner...

Reviewed by Andrew Farach-Colton in issue: 07/2018

Review of BRAHMS Piano Concerto No 2 (Goerner)

BRAHMS Piano Concerto No 2 (Goerner)

Alpha is a label that gets ever more wide-ranging, as witness the discs of Shostakovich chamber music (see page 63)...

Reviewed by Harriet Smith in issue: 07/2018

Gramophone Classical Music Awards Winner
Review of Claudio Abbado: The Last Concert

Claudio Abbado: The Last Concert

Claudio Abbado stepped down from his post as chief conductor of the Berlin Philharmonic Orchestra in May 2002 on the...

Reviewed by Edward Seckerson in issue: 07/2018

Review of BEETHOVEN Triple Concerto. Trio Op 11

BEETHOVEN Triple Concerto. Trio Op 11

The opening orchestral tutti seems to augur well for this new account of Beethoven’s Triple Concerto. I do miss the...

Reviewed by Andrew Farach-Colton in issue: 07/2018

Review of CPE BACH Cello Concertos. Symphony (Queyras)

CPE BACH Cello Concertos. Symphony (Queyras)

There can’t be many ensembles around as stylistically fleet-footed as Hamburg’s Ensemble Resonanz. I’m still thinking fondly back to their...

Reviewed by Charlotte Gardner in issue: 07/2018

Review of AULIN Violiin Concertos Nos 1-3

AULIN Violiin Concertos Nos 1-3

Tor Aulin (1866-1914) had a tough life. He was three when his father died, his mother was heartlessly strict, and...

Reviewed by Andrew Farach-Colton in issue: 07/2018

Review of We, Like Salangan Swallows …

We, Like Salangan Swallows …

This panorama of visionary sound and process from Morton Feldman and contemporaries covers a period in American music when Feldman,...

Reviewed by Laurence Vittes in issue: 07/2018

Review of STRAVINSKY The Rite of Spring. The Firebird Suite (Bernard)

STRAVINSKY The Rite of Spring. The Firebird Suite (Bernard)

There was a time when The Rite of Spring put an orchestra through its paces, and the palpable effort of...

Reviewed by Andrew Farach-Colton in issue: 07/2018


 

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Review - QUAD 33/303

Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...

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