Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Gergiev. Matsuev. Rachmaninov. What could possibly go wrong? Well, quite a lot as it happens. This is, apparently, a live...
Reviewed by Jeremy Nicholas in issue: 04/2018
In the same week last November that BBC Television unveiled its new adaptation of Howards End, ENO presented the premiere...
Reviewed by Adrian Edwards in issue: 04/2018
Arriving simultaneously with the news that Lahav Shani is to succeed Zubin Mehta at the helm of the Israel Philharmonic,...
Reviewed by David Gutman in issue: 04/2018
This is a terrific account of Mahler’s fledgling symphony – full of the rashness and impetuosity of youth and the...
Reviewed by Edward Seckerson in issue: 04/2018
The repertoire is all Liszt. Bolet was one of the finest of all Liszt players. Liszt was the composer who,...
Reviewed by Jeremy Nicholas in issue: 04/2018
Józef Koffler (1896-1944) was an exact contemporary of Roberto Gerhard and Roger Sessions. Like them, his identity as a composer...
Reviewed by Arnold Whittall in issue: 04/2018
Béla Bartók once said of his friend Zoltán Kodály that ‘his true nature is contemplative’. Did JoAnn Falletta have that...
Reviewed by Andrew Mellor in issue: 04/2018
Honoured and widely performed in the US, Aaron Jay Kernis’s music has struggled to register a similar impact beyond its...
Reviewed by Pwyll ap Siôn in issue: 04/2018
With its clear-cut format and ready melodic appeal, Mieczysaw Weinberg’s Violin Concerto (1959) made its way to the West long...
Reviewed by Richard Whitehouse in issue: 04/2018
The concerts last July looked a peculiar affair and the CD appears so too. Rattle has chosen a handful of...
Reviewed by David Threasher in issue: 04/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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