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Review of MOZART Così fan tutte (Pillot)

MOZART Così fan tutte (Pillot)

This is Così fan tutte but not quite as we know it. Described as ‘Mozart’s original thoughts recreated and recorded...

Reviewed by Tim Ashley in issue: 02/2019

Review of LISZT Sardanapalo. Mazeppa (Karabits)

LISZT Sardanapalo. Mazeppa (Karabits)

An immensely important issue, this is the first recording of the performing edition by British musicologist David Trippett of Sardanapalo,...

Reviewed by Tim Ashley in issue: 02/2019

Review of KÁLMÁN Kaiserin Josephine (Burkert)

KÁLMÁN Kaiserin Josephine (Burkert)

If you wanted to place a final full-stop to the ‘silver age’ of Viennese operetta, you could do worse than...

Reviewed by Richard Bratby in issue: 02/2019

Review of HANDEL Serse (Emelyanychev)

HANDEL Serse (Emelyanychev)

By all accounts the castrato Caffarelli outdid even his fellow-falsettist Senesino in boorish disregard for colleagues and audiences. Lateness and...

Reviewed by Richard Wigmore in issue: 02/2019

Review of GAVEAUX Léonore (Brown)

GAVEAUX Léonore (Brown)

When reading the programme at a performance of Fidelio, or inspecting a CD or DVD booklet, have you ever wondered...

Reviewed by Richard Lawrence in issue: 02/2019

Review of BIZET Carmen (von Karajan)

BIZET Carmen (von Karajan)

In some ways this is a double historical release – a performance from over 50 years ago and a preservation...

Reviewed by Mike Ashman in issue: 02/2019

Review of BERG Wozzeck (Albrecht)

BERG Wozzeck (Albrecht)

Without matching the tight ensemble or aiming for the taut pacing of Teodor Currentzis at the Bolshoi, Marc Albrecht embeds...

Reviewed by Peter Quantrill in issue: 02/2019

Review of FINNISSY Vocal Works, 1974-2015

FINNISSY Vocal Works, 1974-2015

This is one of those recordings where composer and performers seem uniquely matched. One senses a degree of commitment that...

Reviewed by Fabrice Fitch in issue: 01/2019

Review of BARTÓK Racines (Florent Boffard)

BARTÓK Racines (Florent Boffard)

Florent Boffard’s credentials as an exponent of modern music are impeccable and well known, as are his recordings. It may...

Reviewed by Patrick Rucker in issue: 01/2019

Review of LYATOSHYNSKY Symphony No 3, ‘Peace Shall Defeat War’

LYATOSHYNSKY Symphony No 3, ‘Peace Shall Defeat War’

Boris Lyatoshynsky (1895-1968) was a slightly older Ukrainian contemporary of Shostakovich, a pupil of Glière. His work was initially very...

Reviewed by Ivan Moody in issue: 01/2019


 

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Review - QUAD 33/303

Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...

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