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Review of BRAHMS Symphony No 4 (Dausgaard)

BRAHMS Symphony No 4 (Dausgaard)

'The real purpose of using a small orchestra’, Thomas Dausgaard told Gramophone’s Andrew Mellor regarding his recording of Brahms’s Second...

Reviewed by Andrew Farach-Colton in issue: AW20

Review of BORISOVA-OLLAS Angelus: Orchestral Works

BORISOVA-OLLAS Angelus: Orchestral Works

Russian-born and resident in Sweden since 1993, Victoria Borisova-Ollas was a pupil of Nikolai Korndorf. He was the Soviet maverick...

Reviewed by David Gutman in issue: AW20

Review of BEETHOVEN Symphony No 5 GOSSEC Symphonie (Roth)

BEETHOVEN Symphony No 5 GOSSEC Symphonie (Roth)

Symphonist to the Revolution vs revolutionary symphonist: Les Siècles and their founder-maestro have put flesh on the bones of a...

Reviewed by Peter Quantrill in issue: AW20

Review of BEETHOVEN Symphonies Nos 1-5 (Savall)

BEETHOVEN Symphonies Nos 1-5 (Savall)

We know a lot about how Beethoven composed at the keyboard, and right from the clipped, slashed and rolled tutti...

Reviewed by Peter Quantrill in issue: AW20

Review of BEETHOVEN Complete Piano Concertos (Bavouzet)

BEETHOVEN Complete Piano Concertos (Bavouzet)

Jean-Efflam Bavouzet first crossed my radar in 2005 with a striking Liszt recital on MDG that contained, among other gems,...

Reviewed by Patrick Rucker in issue: AW20

Review of SCHMIDT Complete Symphonies (Järvi)

SCHMIDT Complete Symphonies (Järvi)

Deutsche Grammophon’s booklet note for this new recording arguably exaggerates the neglect of Franz Schmidt (1874-1939) and his four symphonies,...

Reviewed by Hugo Shirley in issue: AW20

Gramophone Classical Music Awards Winner
Review of WEINBERG Symphonies – Nos 2 & 21, Kaddish (Gražinytė-Tyla)

WEINBERG Symphonies – Nos 2 & 21, Kaddish (Gražinytė-Tyla)

The UK premiere of Symphony No 21 in Symphony Hall last November was a watershed moment for Weinberg’s reputation. It...

Reviewed by David Fanning in issue: 06/2019

Gramophone Classical Music Awards Winner
Review of Russian Colours

Russian Colours

The small and perfectly formed have come into their own during the pandemic with new and existing chamber arrangements making...

Reviewed by Edward Seckerson in issue: 10/2020

Review of Extra Time

Extra Time

Adrian Chandler and La Serenissima have had a run of snappy album titles in recent years – ‘The Italian Job’,...

Reviewed by Charlotte Gardner in issue: 10/2020

Review of SHOSTAKOVICH Cello Concerto No 2 (Jan Vogler)

SHOSTAKOVICH Cello Concerto No 2 (Jan Vogler)

A brand-new Cello Concerto – one piece, three composers, ‘three continents’. As Jan Vogler, the commissioner, puts it: ‘I’m a...

Reviewed by Edward Seckerson in issue: 10/2020


 

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