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Review of BONONCINI Polifemo (Oberlinger)

BONONCINI Polifemo (Oberlinger)

A temporary reduction of music-making at the Vienna court during the War of the Spanish Succession prompted a group of...

Reviewed by David Vickers in issue: 11/2020

Review of ARNOLD The Dancing Master (Andrews)

ARNOLD The Dancing Master (Andrews)

Here’s a tonic for a melancholy year: a one-act comic opera by Malcolm Arnold, unstaged in the composer’s lifetime and...

Reviewed by Richard Bratby in issue: 11/2020

Review of Sturm und Drang Vol 2: Haydn, Gluck, Vanhal

Sturm und Drang Vol 2: Haydn, Gluck, Vanhal

Ian Page and The Mozartists’ second dip into the Classical-era repertoire subset called Sturm und Drang alights on the sine...

Reviewed by David Threasher in issue: 11/2020

Review of Rolando Villazón: Serenata Latina

Rolando Villazón: Serenata Latina

I find it a little odd that Rolando Villazón brings so much of the opera house with him to this...

Reviewed by Andrew Farach-Colton in issue: 11/2020

Review of SCHUMANN Stille Liebe (Samuel Hasselhorn)

SCHUMANN Stille Liebe (Samuel Hasselhorn)

Episodic ballads were hardly natural territory for Schumann, supreme master of the lyric epigram. Songs like ‘Belsatzar’ and the sprawling,...

Reviewed by Richard Wigmore in issue: 11/2020

Review of MOZART Requiem (Helgath. Arman)

MOZART Requiem (Helgath. Arman)

As the trend for recompleting Mozart’s Requiem approaches its semicentenary, two new versions appear, each tackling the revered fragment in...

Reviewed by David Threasher in issue: 11/2020

Review of MOZART Betulia liberata (Rousset)

MOZART Betulia liberata (Rousset)

The story from the Apocrypha of the Israelite widow Judith’s murder of the Assyrian king Holofernes – repulsive or uplifting,...

Reviewed by Richard Wigmore in issue: 11/2020

Review of MAHLER Lieder (Christiane Karg)

MAHLER Lieder (Christiane Karg)

For her first solo album for Harmonia Mundi, German soprano Christiane Karg turns to Mahler, joined at the piano by...

Reviewed by Hugo Shirley in issue: 11/2020

Review of JOSQUIN Masses (Phillips)

JOSQUIN Masses (Phillips)

This ends a hugely enjoyable project begun in 1986, not originally envisaged as a complete cycle of Josquin’s Masses but...

Reviewed by Edward Breen in issue: 11/2020

Gramophone Classical Music Awards Winner
Review of HAYDN The Creation (Antonini)

HAYDN The Creation (Antonini)

Haydn’s joyous celebration of an idyllic, prelapsarian world seems particularly poignant in an age when our guardianship of the planet...

Reviewed by Richard Wigmore in issue: 11/2020


 

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