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Review of HINDEMITH Kammermusik (Eschenbach)

HINDEMITH Kammermusik (Eschenbach)

Unlike the three concertos on the first volume of Eschenbach’s survey (7/20), those on its successor, Nos 4-7, tend to...

Reviewed by Guy Rickards in issue: 12/2020

Review of HAYDN Symphony No 100. Nelson Mass (Christophers)

HAYDN Symphony No 100. Nelson Mass (Christophers)

Harry Christophers and the Handel and Haydn Society of Boston present a neatly turned-out Military Symphony, closer to the urbanity...

Reviewed by David Threasher in issue: 12/2020

Gramophone Classical Music Awards Winner
Review of DELIBES Balet Suites (Järvi)

DELIBES Balet Suites (Järvi)

‘Swan Lake is mere rubbish in comparison with Sylvia’, Tchaikovsky wrote to Nadezhda von Meck in 1877, having just heard...

Reviewed by Tim Ashley in issue: 12/2020

Review of CLYNE Mythologies

CLYNE Mythologies

Mark Pullinger wrote movingly of Anna Clyne’s cello concerto DANCE (2019) in the August issue, concluding that it ‘should make...

Reviewed by Guy Rickards in issue: 12/2020

Review of BEN-HAIM Music of Israel (Welber)

BEN-HAIM Music of Israel (Welber)

It’s good to see the music of the Munich-born Israeli composer Paul Ben-Haim receiving increasing attention from record companies. The...

Reviewed by Christian Hoskins in issue: 12/2020

Review of Searching for Ludwig: Beethoven, Sollima & Ferré

Searching for Ludwig: Beethoven, Sollima & Ferré

Unlike Leonard Bernstein’s famous recording of these same two late Beethoven quartets with the strings of the Vienna Philharmonic (DG,...

Reviewed by Andrew Farach-Colton in issue: 12/2020

Review of BEETHOVEN Piano Concerto No 3. Triple Concerto (Martin Helmchen)

BEETHOVEN Piano Concerto No 3. Triple Concerto (Martin Helmchen)

Unless a Choral Fantasy is waiting in the wings, this new disc rounds out Martin Helmchen’s collaboration with Andrew Manze...

Reviewed by Patrick Rucker in issue: 12/2020

Review of AMMANN; BARTOK; RAVEL Piano Concertos (Andreas Haefliger)

AMMANN; BARTOK; RAVEL Piano Concertos (Andreas Haefliger)

To title a piece The Piano Concerto with the definite article up front may seem a tad self-aggrandising. Yet Dieter...

Reviewed by Jed Distler in issue: 12/2020

Review of HAMMERSCHMIDT 'Ach Jesus stirbt'

HAMMERSCHMIDT 'Ach Jesus stirbt'

Compared with the famous triumvirate of his contemporaries, Schütz, Schein and Scheidt (or even Michael Praetorius), Andreas Hammerschmidt (c1611-1675) is...

Reviewed by Fabrice Fitch in issue: 12/2020

Review of Isabelle Demers: The Chicago Recital

Isabelle Demers: The Chicago Recital

Isabelle Demers is a Quebec-born organist who revels in the music she plays and the sounds she can produce by...

Reviewed by Donald Rosenberg in issue: 11/2020


 

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