Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The appearance of this Somm release marks 100 years since the premiere of the brilliant 19-year-old William Walton’s Façade. It...
Reviewed by Andrew Achenbach in issue: 04/2022
We’re so familiar with Vivaldi these days that it’s easy to forget what an impact his first set of concertos,...
Reviewed by Charlotte Gardner in issue: 04/2022
There is much to commend in Noseda’s account of this most extraordinary symphony – and I speak as one whose...
Reviewed by Edward Seckerson in issue: 04/2022
Johan Dalene’s Nielsen Concerto was, to some extent, a known quantity. The young Swede won the Nielsen Competition in 2019...
Reviewed by Andrew Mellor in issue: 04/2022
Four decades into the Korngold revival, it’s a pleasant surprise to be confronted with something completely unfamiliar. In this case,...
Reviewed by Richard Bratby in issue: 04/2022
The reissue of Christopher Gunning’s Discovery releases on the Signum label continues with a trio of concertos to which Edward...
Reviewed by Richard Whitehouse in issue: 04/2022
I did not think Martin James Bartlett’s debut album for Warner Classics (6/19) showed him in the best possible light....
Reviewed by Jeremy Nicholas in issue: 04/2022
For their latest album, Pascal Rophé and his Loire orchestra turn to music by Debussy originally written for piano but...
Reviewed by Tim Ashley in issue: 04/2022
It would be idle to pretend that this latest addition to Sony’s Bruckner cycle with Thielemann and the Vienna Philharmonic...
Reviewed by Richard Osborne in issue: 04/2022
The earliest of Bruckner’s three symphonies in D minor, No 0 or Die Nullte was written shortly after the composer’s...
Reviewed by Christian Hoskins in issue: 04/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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