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BRIDGE; BRITTEN; DEBUSSY Cello Sonatas (Truls Mørk)

Nearly a quarter of a century since recording Britten’s three Solo Suites (Erato, 4/01) and re-recording the Cello Symphony (12/99),...

Reviewed by Andrew Farach-Colton in issue: AW22

BIBER Sonatae Violino Solo 1681

As much as Biber’s Rosary (or Mystery) Sonatas of c1674 are wonderful, it does seem a shame that we only...

Reviewed by Charlotte Gardner in issue: AW22

BEETHOVEN Piano Trios, Op 1 Nos 1 & 2 (Rautio Piano Trio)

‘That bass line was meant to sound gruff! These semiquavers scatter effortlessly in the upper register.’ Pianist Jan Rautio offers...

Reviewed by Richard Bratby in issue: AW22

BARRY In the Asylum

Longtime advocates for Gerald Barry’s music, the Fidelio Trio here for the first time set down a collection of his...

Reviewed by Liam Cagney in issue: AW22

Igor Levit: Tristan

Of all Igor Levit’s concept-based albums, this strikes me as the most problematic. He builds it around two substantial items,...

Reviewed by David Fanning in issue: AW22

Augustin Hadelich: Recuerdos

Concept albums have become the new normal for today’s violin stars and at first glance ‘Recuerdos’ looks like an example...

Reviewed by David Gutman in issue: AW22

Mozart y Mambo: Cuban Dances

‘If you can’t dance it, you can’t play it’, writes Sarah Willis in the booklet note for this second instalment...

Reviewed by Andrew Farach-Colton in issue: AW22

Hollywood Soundstage

It was inevitable – and only appropriate – that John Wilson’s reborn Sinfonia of London should celebrate their prolific past...

Reviewed by Edward Seckerson in issue: AW22

VIVALDI 'Il Mondo Al Rovescio' - Concerti Con Molti Stromenti

Il mondo al rovescio – the world upside down. This was the original title of the Concerto in F that...

Reviewed by Charlotte Gardner in issue: AW22

VIEUXTEMPS Fantasie in E Major 'La Sentimentale'

Well, now you’ve seen the name of the composer and quickly read the titles of the music, you are here...

Reviewed by Jeremy Nicholas in issue: AW22

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