Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A stimulating release, this, particularly valuable for its focus on the neglected song output of one of Vaughan Williams’s most...
Reviewed by Andrew Achenbach in issue: 05/2022
The works presented here by Kodály are folk inspired, and culminate in a superb rendition of Mátra Pictures. Kodály’s work...
Reviewed by Ivan Moody in issue: 05/2022
Bru Zane’s first contribution to this year’s Franck bicentenary is this fine survey of his songs, a form with which,...
Reviewed by Tim Ashley in issue: 05/2022
When my daughter was four or five and having trouble falling asleep, I slipped a lovely Telarc CD by harpist...
Reviewed by Andrew Farach-Colton in issue: 05/2022
Last year I was lucky enough to review the wonderful DG Eloquence set of Ruth Slenczynska’s ‘Complete American Decca Recordings’...
Reviewed by Jeremy Nicholas in issue: 05/2022
Far be it from me to be a party pooper, but my first reaction on seeing the running order of...
Reviewed by Jeremy Nicholas in issue: 05/2022
For her fascinating new Somm release, ‘African Pianism’, Nigerian-Romanian pianist Rebecca Omordia has chosen music from three Nigerian composers, Ayo...
Reviewed by Patrick Rucker in issue: 05/2022
The unaccompanied sonatas for strings (four each for viola and cello, three for violin and one for double bass) might...
Reviewed by Richard Whitehouse in issue: 05/2022
The young Bulgarian pianist Marina Staneva’s solo CD debut offers two major-length works by Pancho Vladigerov, whose ingenuous Romantic keyboard...
Reviewed by Jed Distler in issue: 05/2022
The old adage ‘let sleeping dogs lie’ applies to Maurice Ravel’s La parade, an over-extended music-hall pastiche that never should...
Reviewed by Jed Distler in issue: 05/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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