Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
With its unflinching portrayal of the Israelite king’s descent into madness and terrible final lucidity, Saul is arguably both the...
Reviewed by Richard Wigmore in issue: 05/2022
Siberia was Giordano’s favourite of his own operas. First performed in 1903, it reflects the growing fin de siècle fascination...
Reviewed by Tim Ashley in issue: 05/2022
If you fancy something off the operatic beaten track, take a wander back into the Spanish Golden Age. Coronis is...
Reviewed by Mark Pullinger in issue: 05/2022
After volumes focusing on Byrd and Tallis (3/16, 9/17), ORA and their music director Suzi Digby go international for the...
Reviewed by Alexandra Coghlan in issue: 05/2022
Etymologists trace a late fourth-century transition from Jerusalem as the ‘city of peace’ to the ‘vision of peace’ (the term...
Reviewed by Edward Breen in issue: 05/2022
While Ukraine suffers from an unspeakably murderous invasion, it is good to remember that neighbouring Poland has a fairly rich...
Reviewed by David Fallows in issue: 05/2022
Looking back in years to come, historians will find a musical time-capsule in the releases of the current period: recordings...
Reviewed by Alexandra Coghlan in issue: 05/2022
This is a truly important release, all premiere recordings of works composed between 2014 and 2019 by a master craftsman....
Reviewed by Malcolm Riley in issue: 05/2022
Geoffroy Jourdain and Les Cris de Paris apply their communicative extroversion to Schütz’s settings of texts from the Psalms of...
Reviewed by David Vickers in issue: 05/2022
While Rachmaninov’s setting of the (Eucharistic) Liturgy is not as well known as his Vigil (the so-called Vespers) – with...
Reviewed by Ivan Moody in issue: 05/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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