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Review of Elgar/Holst Partsongs

Elgar/Holst Partsongs

It is rare for a large chorus, usually singing with a permanent symphony orchestra, to have a programme expressly planned...

Reviewed in issue 3/1987

Review of Brahms Piano Quintet Op 34

Brahms Piano Quintet Op 34

Now here’s something quite unusual! Andreas Staier is playing a Steinway model D dating from 1901; not exactly contemporary with...

Reviewed by DuncanDruce in issue: 1/2005

Review of Bartók/Scriabin Orchestral Works

Bartók/Scriabin Orchestral Works

Boulez's first recording of The Wooden Prince is warmer and marginally more relaxed than his keenly attenuated remake with the...

Reviewed in issue 9/1995

Review of Flute Recital

Flute Recital

This programme has the Gallic flavour that is almost a sine qua non in view of the quantity of music...

Reviewed by Christopher Headington in issue: 7/1994

Review of Trumpet Concertos

Trumpet Concertos

It seems as if the great trumpet maestro cannot put the instrument down after all the hullabaloo about his retirement:...

Reviewed in issue 7/1995

Review of Fauré Barcarolles

Fauré Barcarolles

It is not entirely flippant to begin by saying that Faure wrote more barcarolles than any other distinguished composer. Ranging...

Reviewed in issue 7/1985

Review of Brahms Hungarian Dances

Brahms Hungarian Dances

I haven't enjoyed a set of performances of the Hungarian Dances so much since I played them with the local...

Reviewed by Stephen Johnson in issue: 3/1987

Review of Chausson Orchestral Works

Chausson Orchestral Works

Paul Paray's Mercury performance of Chausson's Symphony with the Detroit Symphony Orchestra has considerable vitality yet now seems low-powered beside...

Reviewed in issue 9/1985

Review of Finzi Clarinet Concerto

Finzi Clarinet Concerto

A highly accomplished, indeed commanding performance of Finzi’s gorgeous Clarinet Concerto from Northern Sinfonia principal, Robert Plane. With his bright,...

Reviewed by Andrew Achenbach in issue: 12/1998

Review of Bach Violin Partitas

Bach Violin Partitas

Like fellow guitarist Paul Galbraith, Timo Korhonen finds much of interest in the numerological and theological correspondences in Bach’s music...

Reviewed by William Yeoman in issue: 10/2010


 

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