Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
These performances of Couperin's four Concerts royaux originally formed part of a four-LP album from Archiv issued during the mid...
Reviewed by Nicholas Anderson in issue: 6/1989
The two books of Preludes, one on each CD, are the main works here, and the inclusion of other important...
Reviewed by Stephen Plaistow in issue: 8/1996
There is a well-attested story of Liadov failing to produce a score for Diaghilev: the disgruntled impresario refused to accept...
Reviewed by John Warrack in issue: 10/1986
When dictionaries mention him at all, which is rarely, Franco Margola (1908-92) is usually described as a composer of conservative...
Reviewed by Michael Oliver in issue: 11/1997
This is an account of the Berlioz cycle to be reckoned with. Bernadette Greevy seems to peer into the romantic...
Reviewed by Alan Blyth in issue: 1/1990
Celebrating his 60th birthday, the choir of King’s College Cambridge offer this coupling of two of John Rutter’s most celebratory...
Reviewed by Marc Rochester in issue: 5/2005
Lehar was a more than worthy successor to the Strausses in the Viennese waltz tradition. But, by his time, the...
Reviewed by Andrew Lamb in issue: 12/1983
I enjoyed Duchable most in the two sonatas monopolizing the third disc, and the A flat Polonaise and the Op....
Reviewed by Joan Chissell in issue: 10/1994
From soulful first to sociable last, these part-songs are a delight for listeners as for singers. All who have warbled...
Reviewed in issue 2/1996
This is the third disc in Argo’s series devoted to the music of the American composer Aaron Jay Kernis and...
Reviewed in issue 10/1997
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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