Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
This is a fascinating record, a selection of mid-16th-century Latin-texted pieces by English composers connected with the court, living through...
Reviewed by mberry in issue: 9/2005
No, the English Chamber Orchestra simply doesn't cut it in Francesca da Rimini's whirlwinds of hell. It's a performance that...
Reviewed by jswain in issue: 2/2000
For all the dearth of performances outside western Europe, Pascal Dusapin (b1955) is among the most significant composers at work...
Reviewed by kYlzrO1BaC7A in issue: 7/2005
Graham Barber could be accused of hogging the limelight in this excellent series from Priory. But such exposure can be...
Reviewed by Marc Rochester in issue: 7/1991
Mozart's surviving sketches fall into two distinct groups: true sketches, in which he drafted ideas or worked out some sort...
Reviewed by Stanley Sadie in issue: 10/1994
This recording of Albert Herring is of considerable historical interest. By the time Benjamin Britten conducted the Decca studio version...
Reviewed by Arnold Whittall in issue: 10/2008
I welcomed the Fifth Book of Gesualdo’s madrigals from this group a few months ago (Arion, 3/98); this time around...
Reviewed by Fabrice Fitch in issue: 9/1998
Sir Peter Maxwell Davies is writing a series of ten concertos for members of the Scottish Chamber Orchestra, of which...
Reviewed by Michael Oliver in issue: 1/1990
This new anthology of sixteenth-century Italian madrigals, available as yet only on CD, is something of a triumph, even if...
Reviewed in issue 6/1986
Following on from the song-cycle Harawi and the Turangalila-symphonie, Messiaen's Cinq rechants of 1948 complete his so-called Tristan-trilogy. So the...
Reviewed in issue 10/1990
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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