Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
To dismiss a recording of a 65-minute symphony on the basis of one note would not seem very intelligent. But...
Reviewed in issue 8/1993
The great achievement of Haitink's performance of the Leningrad Symphony is that it redefines the sense in which it is...
Reviewed by Michael Oliver in issue: 10/1986
This delightful new issue from yet another small but enterprising company duplicates little or nothing otherwise available in the current...
Reviewed by Nicholas Anderson in issue: 9/1991
This latest addition to John Eliot Gardiner's Mozart symphony series offers characteristic readings—finely detailed, powerful, falling comfortably on the ear....
Reviewed by Stanley Sadie in issue: 7/1988
How does one parse music that flows in an endless stream of notes with nary a pause for a breath?...
Reviewed by Andrew Farach-Colton in issue: 5/2005
This is a generous and well-planned concert and it is brilliantly recorded. I am therefore all the more sorry to...
Reviewed by Ivan March in issue: 5/1988
Here we have a curious mixture: an 'authentic' text—the original Italian version is followed, with none of the additions (even...
Reviewed by Stanley Sadie in issue: 3/1991
Martinù’s seven numbered string quartets do not form a coherent cycle in the way that the quartets of Bartók, Simpson...
Reviewed by Guy Rickards in issue: 12/2009
Here is yet another compilation of Russian Romances from a master purveyor of self-regarding baritonal syrup. This time Hvorostovsky offers...
Reviewed by David Fanning in issue: 9/2010
There’s something peculiarly appealing about delving among the pages of an expansive, imaginatively written string quartet. Schoenberg, Reger and Hindemith...
Reviewed in issue 5/2001
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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