Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
How to characterise Martucci’s music? On this disc he seems to be two people: the short works, all arranged for...
Reviewed by Jeremy Nicholas in issue: 11/2009
The sound here is very little different from that which I heard on LP. Perhaps the middle range has a...
Reviewed by Christopher Headington in issue: 2/1987
Enterprising Chandos and Vernon Handley again! What chance otherwise would most of us have to become acquainted with Stanford's Second...
Reviewed in issue 1/1990
Herwig Zack is a highly capable, forceful player; sometimes, indeed, a little too forceful, as in the Bartók first movement,...
Reviewed by DuncanDruce in issue: 8/2009
Zukerman, with his own chamber orchestra, gives a surprisingly Classical reading of this concerto, not just on a consciously intimate...
Reviewed by Edward Greenfield in issue: 1/1985
What a fine composer Mieczys1aw Kar1owicz might have become‚ had he not died at the age of 32 in an...
Reviewed by David Fanning in issue: 10/2002
The oboe was among that astonishingly long list of instruments in which Telemann claimed proficiency. My own guess is that,...
Reviewed by Nicholas Anderson in issue: 5/1983
Lange-Muller (1850-1926) will be a fascinating discovery for many listeners, and Vol. 1 of what promises to be a complete...
Reviewed by Bryce Morrison in issue: 9/1996
Telemann wrote so much music, that were his Schmieder, Deutsch or Kirkpatrick to appear he would get a standing ovation....
Reviewed by John Duarte in issue: 4/1993
Lecons de tenebres were, by the 18th century, chiefly a French tradition, settings of the Lamentations of Jeremiah in nine...
Reviewed by Stanley Sadie in issue: /2000
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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