Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
In JW's long and crucial review of this set when it was first issued (crucial because its thoughtful enthusiasm must...
Reviewed by Alan Blyth in issue: 3/1991
Set in a warm church acoustic, these period performances of Haydn and Schubert, recorded live, demonstrate just how far Nikolaus...
Reviewed by Edward Greenfield in issue: 8/2000
This recording dates from 1994, and if only it had been issued earlier it would have given the other two...
Reviewed by Michael Oliver in issue: 11/1996
Marcus Bosch, the city of Aachen’s Generalmusikdirektor, favours brisk tempi in two concerted choral works from the final year or...
Reviewed by David Threasher in issue: 13/2009
In his informative essay accompanying this disc, Lewis Foreman tells us that Stanford's Fourth Symphony was commissioned by and first...
Reviewed in issue 3/1991
Johannes Regis is certainly not a household name, mainly because very little of his music survives, far less than for...
Reviewed by Fabrice Fitch in issue: 7/2009
Are we really living through a golden age of accessible new music? The present issue provides fresh evidence that the...
Reviewed in issue 11/1997
Deutsche Grammophon continues to display an erratic recent track record when it comes to recording and promotig young, photogenic pianists....
Reviewed by Jeremy Nicholas in issue: 5/2004
The high promise of Jeffrey Tate's first HMV record of Mozart symphonies, coupling Nos. 40 and 41 (EL270154-1, 2/85) is...
Reviewed by Edward Greenfield in issue: 5/1985
Readers of A Prima Donna’s Progress, Sutherland’s autobiography (Weidenfeld and Nicolson, 1/98) may remember that in a relatively quiet period...
Reviewed in issue 4/1998
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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