Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
As the title indicates, there is nothing here in the nature of a bifteck, so perhaps it’s not a disc...
Reviewed by rnichols in issue: 12/2002
The second of Miaskovsky’s sinfoniettas is currently unlisted on the Gramophone Database, although there has been at least...
Reviewed in issue 4/1999
Being in the middle of the major project that is the Vivaldi Edition, Opus 111 can afford to break with...
Reviewed by Lindsay Kemp in issue: 4/2005
What style of performance is called for in Mozart's version of Handel's Acis and Galatea? It seems to me that...
Reviewed by Stanley Sadie in issue: 7/1992
We are over-stocked with recordings of this work, as I commented in my December ‘Collection’ article. Anything new needs to...
Reviewed by Alan Blyth in issue: 4/2004
Sawallisch's Bruckner No. 9, recorded in the Great Hall of Munich University in December 1984, may not have the searing...
Reviewed by Richard Osborne in issue: 7/1988
At first glance this might look like the traditional pairing of Tchaikovsky’s two fantasy overtures – but you might have...
Reviewed by Edward Seckerson in issue: 3/2009
Acclaimed as a conducting genius in some quarters, Valery Gergiev has been an immensely effective musical director of the Kirov...
Reviewed in issue 2/1998
A disc for those who prize largely extinct orchestral styles and sounds. The very wobbly, watery French horn of old...
Reviewed by John Steane in issue: 7/1998
I like this. There is a lot to be said for Nordic charm and Drot og Marsk (''King and Marshall''),...
Reviewed in issue 6/1993
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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