Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Schubert from Spain: bright, fresh, lively, colourful and never over-sophisticated. In theory, that should in itself be enough for a...
Reviewed by John Steane in issue: 11/1999
Without doubt, this has to be one of the most satisfying, nay galvanizing, two-piano recitals I have had the pleasure...
Reviewed by Michael Stewart in issue: 2/1993
The magical opening of Savitri, with Death slowly advancing through the forest towards the cowering Savitri, sounds better than ever...
Reviewed by John Warrack in issue: 2/1988
Maybe some readers will ask “Lionel who?” Monckton’s name has not been much bandied about in recent decades. One of...
Reviewed by po'connor in issue: 6/2008
Not many people now can have heard the Capet Quartet live: their leader died in 1928, and the present recordings...
Reviewed by Lionel Salter in issue: 12/1995
The Chilingirian Quartet give a thoughtful yet passionate account of Bartok's Quartet No. 6. They are good at the transitions...
Reviewed by Christopher Headington in issue: 9/1989
A modern cello is used in each of these sets, neither of which makes any special claim to 'authenticity' but...
Reviewed by John Duarte in issue: 4/1995
Here is still further treasure taken from Gilels’s early Paris and New York Columbia recordings. Few pianists exist today of...
Reviewed by Bryce Morrison in issue: 5/1997
Having lavished such sensitive and heartfelt advocacy on Edmund Rubbra‚ Richard Hickox and his admirable BBC National Orchestra of Wales...
Reviewed in issue 2/2002
Impressive as all these performances of the Tchaikovsky Concerto are in their varying demonstrations of virtuosity and expressiveness, it is...
Reviewed by Edward Greenfield in issue: 12/1993
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
'This is a treasure trove of information, thoroughly recommended'
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.