Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
First things first, and the very opening of the First Symphony’s first movement, subtitled “Daydreams on a Wintry Road”, is...
Reviewed by John Steane in issue: 12/1996
As I noted in my review of his 1949 Salzburg Festival Bruckner Seventh with the Vienna Philharmonic (Music & Arts,...
Reviewed by Richard Osborne in issue: 2/1996
What is it about Prokofiev that so riles the modernists? Even Stravinsky was prepared to allow that Prokofiev’s music had...
Reviewed by David Gutman in issue: 8/2004
You don’t often hear recordings of Boulez’s music under someone else’s direction. Among the significant exceptions are two of the...
Reviewed by Fabrice Fitch in issue: 10/2003
Following its two largely rewarding discs of chamber cantatas by Rameau's contemporary Clerambault (10/98 and 11/98), Naxos has come up...
Reviewed by Nicholas Anderson in issue: 4/2000
Much has been made of the natural affinity between early music and contemporary popular styles, though (Sting’s recent recording of...
Reviewed by K Smith in issue: 2/2007
When it comes to getting the right notes, with good sound and complete control, at whatever speed, Angel Romero has...
Reviewed by John Duarte in issue: 4/1990
Discovering anything about Pavel Grigoryevich Chesnokov (1877-1944) is not easy: Soviet dictionaries, and a Soviet lexicographer writing in Grove, were...
Reviewed by John Warrack in issue: 1/1996
Has Rautavaara written himself out? Not in the sense of his continuing production of large-scale works (unlike, say, Sibelius, Lilburn,...
Reviewed by Guy Rickards in issue: 8/2010
Though he wrote a few large-scale orchestral works, Suk was happier with smaller forms, and his piano music includes some...
Reviewed by John Warrack in issue: 2/2006
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
'This is a treasure trove of information, thoroughly recommended'
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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