Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Schumann's Violin Concerto is still a vastly underrated work, but even so it is surprising that Telefunken's historically important first...
Reviewed in issue 9/1994
There are a good many issues of British music these days and very welcome they are, though inevitably there is...
Reviewed in issue 1/1985
Schumann mourned Norbert Burgmuller’s early death in vivid terms, grieving that, “Fate, instead of decimating the mediocrities, who are encamped...
Reviewed by John Warrack in issue: 4/1998
Berio’s Rendering (1989) is a 35-minute orchestral work in which the composer enters into an extended dialogue with the sketches...
Reviewed by Arnold Whittall in issue: 8/1997
The record to choose is the Nigel Kennedy, if only because it has the one major work of Elgar on...
Reviewed in issue 8/1985
Zemlinsky's Die Seejungfrau (''The mermaid'') is a three-movement symphonic fantasy based on the Hans Andersen story. It was first performed...
Reviewed by Michael Oliver in issue: 6/1987
Gentlest, most delicate and restrained of English song-writers, Ivor Gurney surely finds his ideal interpreters here. It is difficult to...
Reviewed in issue 12/1989
This is an unusual and important issue of material deriving from a strange source: in 1940 the New York Post...
Reviewed by Alan Blyth in issue: 8/1993
‘Amour cruel’ provides a delightful glimpse of private musicmaking in mid17thcentury Paris. Half of this CD is devoted to six...
Reviewed in issue 9/2001
‘Perhaps the dramatic complexity of the 19th century as it draws to a close, with all its roots, veins and...
Reviewed by David Gutman in issue: 5/2006
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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