Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
There are several good LP recordings of the Giuliani Concerto, the earliest of its kind to be written, but this...
Reviewed by John Duarte in issue: 11/1987
These recordings were made in the National Concert Hall in Budapest in June and November 2005. It is not a...
Reviewed by Richard Osborne in issue: 2/2009
Dvorák’s piano trios divide clearly into two groups. Nos 1 and 2, from 1875-76, belong to a stage when the...
Reviewed by DuncanDruce in issue: 11/2004
Robert Shaw and his Festival Singers, in splendid form, have taken the trouble to seek out a venue having a...
Reviewed by mberry in issue: 10/1990
If you admire the music of Domenico Scarlatti, you’ll warm to Padre Antonio Soler’s. Although he devoted less energy to...
Reviewed by Julie Anne Sadie in issue: 12/2002
This is in every way a remarkable CD. Not only are the performances fused with a poetic inspiration seldom encountered...
Reviewed by James Methuen-Campbell in issue: 1/1989
Life has never been easy for the Rossini tenor. Not least because of Rossini’s own writing for a series of...
Reviewed in issue 4/2002
Last year Ton Koopman and friends gave us an excellent first volume of Buxtehude’s chamber music (1/11) containing his unpublished...
Reviewed by Lindsay Kemp in issue: 9/2011
In many ways Weinberg’s Piano Quintet is the natural coupling for Shostakovich’s masterpiece, which it post-dates by five years. Not...
Reviewed by David Fanning in issue: 6/2011
Poor old Gliere has had his sensitive knuckles rapped for writing the same kind of music in Soviet Russia that...
Reviewed in issue 12/1995
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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