Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
In selecting works by Mexican, Brazilian and Cuban composers for their ‘rhythmic essence and passion’, the young Canadian guest conductor...
Reviewed by Lionel Salter in issue: 3/1999
This new version of Berlioz’s légende dramatique brings with it a strong Méphistophélès to dominate the proceedings in Alain Vernhes....
Reviewed by John Warrack in issue: 7/2006
So there has been a Frank Bridge revival, has there? If there has, it was very largely prompted by the...
Reviewed by Michael Oliver in issue: 9/1986
In listening to this disc, I tried to put out of my mind the annoyance caused by its presentation. Instead...
Reviewed by DuncanDruce in issue: 12/2003
No doubt such titles are not meant to be taken seriously, but I find some difficulty in accepting the idea...
Reviewed in issue 9/1989
At the Proms this year Richard Margison gave a good account of himself in the title-role of Verdi’s Don Carlo...
Reviewed in issue 11/1996
These are the first recordings the VPO have made of both these pieces, which are outside their normal repertoire, and...
Reviewed by Ivan March in issue: 7/1986
Trying to determine for which instrument – organ, harpsichord or clavichord – Buxtehude’s keyboard works were intended is a difficult,...
Reviewed by Lionel Salter in issue: 7/1999
The central connection of the works collected here is the use as a solo instrument of the oboe – or...
Reviewed in issue 6/1996
A year ago (9/07) Stiffelio was reported sinking under the weight of a lavish production at the Metropolitan. At Covent...
Reviewed by John Steane in issue: 9/2008
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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