Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Nymanites will rejoice. The pulse, the raunchy textures and the restless alternation of metre (either between 'numbers' or within them)...
Reviewed in issue 4/1995
This is a maddening disc, because it is so good and yet could have been so much better. It’s heartening...
Reviewed by Richard Lawrence in issue: 10/2010
Gerard Oppitz is ranked as the foremost German pianist of his generation. Having just turned 40, he is no longer...
Reviewed by James Methuen-Campbell in issue: 7/1994
This 1981 San Francisco Aida, a fairly routine production, marked the débuts of Pavarotti as Radames and Price in the...
Reviewed by Alan Blyth in issue: 2/2003
Philippe Herreweghe conducts a spacious and flexible reading of Monteverdi's 1610 Vespers. It is also relatively gentle and soft-edged by...
Reviewed by David Fallows in issue: 2/1988
If asked to encapsulate Jean-Efflam Bavouzet’s highly anticipated Debussy Préludes in two words or less, I’d say “con amore”. Given...
Reviewed by Jed Distler in issue: 7/2007
When a small country has been subject to occupation by more powerful states over a long period of time, its...
Reviewed by bwitherden in issue: 10/2003
The very start of Mozart’s Serenata notturna is disconcerting, with a very hefty-sounding chamber orchestra set against delicate-sounding soloists, not...
Reviewed by Edward Greenfield in issue: 5/1999
Tercentenary tributes to Domenico Scarlatti seem pretty scarce at the moment so a recording of his ten-part Stabat mater with...
Reviewed by Nicholas Anderson in issue: 7/1985
As we discovered with the Kondrashin/Philips version, the pausefulness of Scheherezade at the very start and at many other points...
Reviewed by Edward Greenfield in issue: 7/1984
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.