Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
If it were not for Johann Sebastian and his gifted sons, would we, and should we, have more than a...
Reviewed by prussell in issue: 1/1995
This is a tough, unvarnished reading rather in the vein of the 1957 Fricsay (DG), which I reviewed in May....
Reviewed by Alan Blyth in issue: 7/1993
Having recorded a major part of Rachmaninov’s piano music, Ashkenazy continues with the piano transcriptions, a cornucopia of teasing sophistication...
Reviewed by Bryce Morrison in issue: 12/2002
Sebastien de Brossard is primarily noted as a distinguished collector of music, urbane priest and the compiler of the first...
Reviewed by Jonathan Freeman-Attwood in issue: 9/2000
For much of its early history Italian opera is little more than the history of the libretto. The repertory itself...
Reviewed by Iain Fenlon in issue: 1/1999
Liszt – a shrewd and generous critic – saw Schubert as “the most poetic of all composers”. Such brief tribute...
Reviewed by Bryce Morrison in issue: 9/1996
Sometime in 1944, towards the end of the Second World War, Swiss Radio approached Frank Martin with a commission for...
Reviewed by Robert Layton in issue: 8/1996
At the opera Liszt is well-known, as two discs in Leslie Howard's mammoth cycle have already reaffirmed. At the theatre,...
Reviewed by Joan Chissell in issue: 3/1993
Anton Zimmermann (1741-81) spent his career as an organist and composer in cities across the areas we now know as...
Reviewed by David Vickers in issue: 11/2006
This, the first new record from the Leningrad Philharmonic to appear for some time, was made in Dublin last October....
Reviewed by Robert Layton in issue: 1/1988
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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