Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
The Vienna Philharmonic had not played Deryck Cooke’s performing version of Mahler’s Tenth until Daniel Harding introduced it to the...
Reviewed by David Gutman in issue: 7/2008
This disc is notable both for its programme and execution. Stephanie Blythe impressed me greatly in a recital of Baroque...
Reviewed by Alan Blyth in issue: 2/2005
Programmes devised round a single manuscript often contain a selection of short pieces. This one presents two complete Masses from...
Reviewed by Fabrice Fitch in issue: 3/1997
These piano duets demand virtuosity, which they get in exuberant performances here. The Grand Duo is a proper virtuoso piece,...
Reviewed by John Warrack in issue: 12/1994
The Russian pianist Sergei Dukachev may not be a familiar name – although he has made numerous recordings for the...
Reviewed by Tim Parry in issue: 1/2003
In the 1950s these recordings would have given a very up-to-date impression, I imagine; the playing is extremely clean –...
Reviewed by DuncanDruce in issue: 12/2000
We know more about Tchaikovsky’s turbulent emotions from his Fourth Symphony than from any other of his works because he...
Reviewed by Ivan March in issue: 2/2006
Gergiev’s Shostakovich is rarely the kind of hyper-intense experience communicated by his great Russian forebears – Mravinsky, Kondrashin, Svetlanov and...
Reviewed by David Fanning in issue: 13/2009
The set as a whole presents a good variety of texture, pace, mood and key (14 of the 21 Scarlatti...
Reviewed by John Duarte in issue: 1/1986
‘The Norrington Nine’ sounds vaguely seditious, which is how I imagine Sir Roger would wish it to sound. Seventy next...
Reviewed by Richard Osborne in issue: 8/2003
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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