Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
In the interview that serves as the booklet-note, Rodion Shchedrin explains, albeit obliquely, the origins of his near-hour-long choral suite...
Reviewed by Guy Rickards in issue: 6/2009
The inlay of this latest instalment in Naxos’s American Classics series proclaims it as the first in a projected Harris...
Reviewed by David Gutman in issue: 7/2006
The complete version of Il barbiere from which these highlights are taken was for me the most enjoyable new opera...
Reviewed by Edward Greenfield in issue: 3/1985
Margaret Fingerhut has mastered the technical problems posed by Grieg's Piano Concerto, but the work's poetry and feeling elude her....
Reviewed in issue 9/1990
The LSO Live series goes from strength to strength. Here is a new version of La damnation de Faust which...
Reviewed in issue 7/2001
DG released this centenary concert on CD last year, warmly welcomed by Richard Osborne (A/00). I must admit I was...
Reviewed by mscott rohan in issue: 4/2001
Whoever was responsible for deciding the layout of this recital missed the chance for arranging the music in order of...
Reviewed by Alan Blyth in issue: 3/1989
Anne Akiko Meyers is a new name to me and I must say I like what I hear. The Barber,...
Reviewed by Edward Seckerson in issue: 8/1989
At the moment, Albert Coates is represented in the catalogue mainly by recordings of Wagner, his readings of whom ranked...
Reviewed by Lionel Salter in issue: 12/1992
Bruno Maderna reviews tend to follow a formula. They begin by pondering the reasons for Maderna’s enduring neglect, reminding us...
Reviewed by Philip_Clark in issue: 11/2010
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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