Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
You have to be a brave soprano to challenge the hegemony of the singers listed above in Strauss’s Four Last...
Reviewed by Alan Blyth in issue: 10/1999
Lots of pianists seem to be recording Szymanowski at the moment, but Mikhail Rudy has his own way with this...
Reviewed by Michael Oliver in issue: 10/1996
Hearing this after immersing myself in the Emerson Quartet’s Beethoven cycle, I was struck by how different these two highly...
Reviewed by DuncanDruce in issue: 13/1997
Of the different versions which Haydn made of his unique devotional sequence of Adagio movements, the purely orchestral one presents...
Reviewed by Edward Greenfield in issue: 3/2001
York Bowen (18841961) has been unlucky. He was a prodigy arriving at the Royal Academy at the age of 14...
Reviewed in issue 3/2002
Dvorák’s wonderful Requiem differs from the major Masses of Haydn, Mozart, Beethoven, Verdi and Brahms in at least one significant...
Reviewed by Rob Cowan in issue: 7/2010
Do you prefer to hear the first chord of Metamorphosen played by five cellos and one double-bass, or by two...
Reviewed by Arnold Whittall in issue: 13/1999
Volume 2 of Pierre-Alain Volondat’s odyssey through Faure’s complete piano music admirably illustrates a journey from early radiance to a...
Reviewed by Bryce Morrison in issue: 5/1998
This is not another recording of Mozart's Requiem. The version here takes the rejection of Mozart's pupil Sussmayr two steps...
Reviewed by Stanley Sadie in issue: 11/1992
Decidedly superior easy listening from Itzhak Perlman, immaculately partnered by John Williams and his smooth-as-silk Bostonians. Williams and Angela Morley...
Reviewed by Andrew Achenbach in issue: 9/1999
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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