Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
As with ‘Arc I’ (6/22), ‘Arc II’ showcases Orion Weiss’s imaginative programme-building and intelligent artistry. He’s obviously pondered over each...
Reviewed by Jed Distler in issue: 01/2023
Warner/Erato continues to feed the market with Bach Goldberg Variations piano releases, from recent versions by Dong-Hyek Lim (11/08), Alexandre...
Reviewed by Jed Distler in issue: 01/2023
The latest release in an ongoing collaboration between Delphian and Young Concert Artists Trust, ‘Beau soir’ highlights the talents of...
Reviewed by Richard Whitehouse in issue: 01/2023
Recordings of all three of Schumann’s violin sonatas come round less often than you might imagine, so it’s pleasing to...
Reviewed by David Threasher in issue: 01/2023
For the Jubilee’s leader Tereza Privratska, Schubert’s last quartet is ‘filled with the emotions of a dying man expressing so...
Reviewed by Richard Wigmore in issue: 01/2023
An intriguing recording: on first playing, I found this album difficult to get into, an experience that felt as if...
Reviewed by Mark Seow in issue: 01/2023
Matthew Kaner (b1986) studied music at King’s College London before moving on to postgraduate studies with Julian Anderson at the...
Reviewed by Guy Rickards in issue: 01/2023
Sadly, there is very little to recommend here. Violinist Gunar Letzbor and Ars Antiqua Austria bring us chamber music by...
Reviewed by Mark Seow in issue: 01/2023
This feels – to use a footballing analogy – like an album of two halves. In the first, we have...
Reviewed by Guy Rickards in issue: 01/2023
Among Delius’s earliest works from the late 1880s, when he was a student at the Leipzig Conservatory, was a String...
Reviewed by Jeremy Dibble in issue: 01/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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