Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
The multifarious pulsings of Adams’s Phrygian Gates (all 26 minutes of it) are more palatable here than on some rival...
Reviewed in issue 3/1999
Sinfonia Classica, five years old and based in England’s West Country, have struck lucky with director Gernot Süssmuth, long-experienced in...
Reviewed by Nalen Anthoni in issue: 7/2008
“Haydn and the Art of Variation” is Carole Cerasi’s title for her latest release; each of its four sonatas contains...
Reviewed by Lindsay Kemp in issue: 3/2010
The only work of Józef Wieniawski (1837-1912) I’d heard before these was his Piano Concerto issued on an early (1987)...
Reviewed by Jeremy Nicholas in issue: 8/2009
This is live music-making at its finest. The programme opens with Daphnis et Chloe, and Pretre, who has this music...
Reviewed in issue 8/2001
In a confrontational note accompanying these discs, Pearl's producer Allan Evans claims that previous attempts to present Schnabel's Beethoven on...
Reviewed by Bryce Morrison in issue: 11/1994
Readers of Digby Anderson's occasional Spectator column ''Imperative Cooking'' will know that you can buy a wonderful variety of fresh...
Reviewed by Richard Osborne in issue: 9/1994
Finghin Collins's first volume in Claves's complete cycle of Schumann's piano music (A/06) may be a hard act to follow...
Reviewed by Bryce Morrison in issue: 3/2007
Anyone inspecting the ranks of young American pianists back in the early 1960s will have encountered a wide array of...
Reviewed in issue 3/1999
''Well worth waiting for'' was LS's verdict on the original LP issue, and as much can be said again now...
Reviewed in issue 11/1988
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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