Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
The Freiburg Baroque Orchestra are the fine period-performance band that gave us such an exuberant account recently on Harmonia Mundi...
Reviewed by Edward Greenfield in issue: 5/2005
The 'young Lord' is an ape, disguised as an English aristocrat and introduced into a smug early-nineteenth-century German community to...
Reviewed by Arnold Whittall in issue: 9/1994
The Seven Last Words were not arranged for piano by Haydn but were fully approved by him. John McCabe –...
Reviewed by Nalen Anthoni in issue: 7/2004
Sally Beamish explains that Beethoven’s Op 18 No 4 gave her, at 14, her first experience of quartet playing. So...
Reviewed by Arnold Whittall in issue: 2/2006
The Second Symphony has always been well served on record and so it is here by the doyen of Finnish...
Reviewed by Robert Layton in issue: 9/1988
This is Richter’s first recording of the grandest of Mozart’s piano concertos and is therefore of special interest. All the...
Reviewed by Bryce Morrison in issue: 8/1996
The notion of the encore sits somewhat uneasily with the traditional string quartet repertoire; but judiciously handled it may offer...
Reviewed in issue 4/1992
Here is further evidence that Bruckner was a real composer long before he discovered Wagner. The superb Requiem of 1849...
Reviewed in issue 12/1991
Sir Colin Davis's magnificent Amsterdam Dvorak Seventh remains one of the most compellingly taut available: gloriously played and paced to...
Reviewed by Andrew Achenbach in issue: 8/1993
Of all the rediscoveries of 'ancient music' this century, the vesper settings by Monteverdi have probably been most rapidly assimilated...
Reviewed by Tess Knighton in issue: 2/1990
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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