Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Church and Choir School of St Thomas Church, Fifth Avenue, boasts no fewer than five pipe organs, the oldest...
Reviewed by Malcolm Riley in issue: 03/2023
There have already been various projects centred on the concept of social and cultural breakdown throughout the extended pandemic of...
Reviewed by Richard Whitehouse in issue: 03/2023
The star of this album is the flageolet. But as such, ‘Le concert des oiseaux’ is not the most relaxing...
Reviewed by Mark Seow in issue: 03/2023
This recording was my introduction to the music of Luis Humberto Salgado (1903 77). Unlike so many other Latin American...
Reviewed by Andrew Farach-Colton in issue: 03/2023
It’s always a good sign when a recording’s first notes leap so vibrantly out of the stereo that all the...
Reviewed by Charlotte Gardner in issue: 03/2023
Two trends have recently emerged among adventurous composers. On the one hand, there are composers presenting aural refuge in nature...
Reviewed by Liam Cagney in issue: 03/2023
Reviewing the first volume of Trio Gaspard’s projected Haydn cycle (9/22), Richard Wigmore praised ‘joyous, imaginative music-making that whets the...
Reviewed by Richard Bratby in issue: 03/2023
In The Natural Word (2019) for ensemble, Asian-American composer Anthony Cheung explores the rum idea of creating musical illustrations of...
Reviewed by Liam Cagney in issue: 03/2023
Having already left such a favourable impression with their contribution to Nicky Spence’s distinguished reading of Vaughan Williams’s On Wenlock...
Reviewed by Andrew Achenbach in issue: 03/2023
Recordings of Biber’s masterpiece have fallen off slightly since I devoted a Gramophone Collection to it (1/17), but this offers...
Reviewed by Fabrice Fitch in issue: 03/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.