Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is the latest in a small flurry of Mozart Mass recordings with boy trebles. However, rather than tape the...
Reviewed by David Threasher in issue: 08/2012
One of the most satisfying things about watching and listening to the Brabant Ensemble evolve over the last decade has...
Reviewed by Caroline Gill in issue: 08/2012
Selva morale e spirituale (Venice, 1641) is Monteverdi’s largest publication of diverse sacred compositions. Only a few artists have recorded...
Reviewed by David Vickers in issue: 08/2012
Marianna Martines: a Spanish surname, but her father had moved from Naples to Vienna, where he was in the service...
Reviewed by Richard Lawrence in issue: 08/2012
Covent Garden director John Rich evidently overreached himself when, in 1749, he planned Alceste – play by Tobias Smollett, modelled...
Reviewed by Richard Wigmore in issue: 08/2012
The sheer standard of late-19th-century prize-winning French music re-emerging on record under the auspices of Venice’s Palazzetto Bru Zane Centre...
Reviewed by Mike Ashman in issue: 08/2012
In the 1980s there was a fashion for constructing Handel’s Italian-period church music into a so-called ‘Carmelite Vespers’, such as...
Reviewed by David Vickers in issue: 08/2012
This is the 16th version of Membra Jesu nostri (1680) to have come my way on CD, which must make...
Reviewed by David Vickers in issue: 08/2012
‘Who he?’ you may well ask of Thomas-Louis Bourgeois (1676-1750), a name known only the most avid of French Baroque...
Reviewed by Richard Wigmore in issue: 08/2012
Everyone likes a composer with an unusual back story, and Philip Blackburn’s is more unusual than most. Born in Cambridge...
Reviewed by Philip Clark in issue: 08/2012
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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