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ŻELEŃSKI Piano Concerto ZARZYCKI Piano Concerto

Władysław Z˙elen´ski’s overture In the Tatras (1870) is still a popular concert item in Poland and Aleksander Zarzycki’s Mazurka in...

Reviewed by Jeremy Nicholas in issue:

VIVALDI Violin Concertos Vol 5

This 52nd volume in Naïve’s intended complete survey of the manuscripts of Vivaldi’s music held in Turin’s National University Library...

Reviewed by William Yeoman in issue:

VIVALDI Violin Concertos

These concertos all date from the latter part of Vivaldi’s career and include several really fine works: RV281, with its...

Reviewed by DuncanDruce in issue: 06/2013

TABAKOVA String Paths

Bulgarian-born and resident in London for the past two decades, Dobrinka Tabakova (b1980) brings together several of the facets that...

Reviewed by Richard_Whitehouse in issue: 06/2013

STRAVINSKY The Rite of Spring. Symphonies of Wind Instruments

When he heard Herbert von Karajan’s 1963 Rite of Spring with the Berlin Philharmonic, Stravinsky – who made several offish...

Reviewed by Philip_Clark in issue: 06/2013

SHOSTAKOVICH Symphony No 7 'Leningrad'

Vasily Petrenko’s Shostakovich cycle continues to garner critical plaudits and no one collecting the series need feel short-changed by this...

Reviewed by David Gutman in issue: 06/2013

SHOSTAKOVICH Cello Concerto No 1. Sonata for Cello and Piano Op 40

Emmanuelle Bertrand is nothing if not a gutsy player. The close-up recording captures her every breath and every rasp of...

Reviewed by David Fanning in issue: 06/2013

RIMSKY-KORSAKOV Sheherezade Op 35

Best here is the sequence from The Legend of the Invisible City of Kitezh, which is generally well played, especially...

Reviewed by Rob Cowan in issue: 06/2013

RACHMANINOV Piano Concertos Nos 1 - 4

No doubt critics have been sharpening their pens in anticipation of Valentina Lisitsa’s Rachmaninov concerto cycle, which is bound to...

Reviewed by Jed Distler in issue: 06/2013

PROKOFIEV Symphony No 6. Lieutenant Kijé Suite.

Prokofiev’s Sixth Symphony may or may not be his finest orchestral work but its unique instrumental texture and curious, elusive...

Reviewed by David Gutman in issue: 06/2013

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