Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The name Justin Holland may not be familiar to many music lovers but it is cherished by classical guitarists, especially...
Reviewed by Donald Rosenberg in issue: 05/2023
The booklet note to Schiff’s latest early keyboard venture with ECM offers factual and circumstantial arguments for Bach having a...
Reviewed by Michelle Assay in issue: 04/2023
Light lyric tenor Cyrille Dubois is fast becoming the poster boy for Palazzetto Bru Zane, the Venetian cultural institution dedicated...
Reviewed by Mark Pullinger in issue: 04/2023
Gevorg Hakobyan is a name new to me but, as this album suggests, he is clearly a fine singer: a...
Reviewed by Hugo Shirley in issue: 04/2023
In 1994, when Riccardo Muti was inducted into the Cavalieri di Verdi by Parma’s prestigious Club dei 27, he noted...
Reviewed by Mark Pullinger in issue: 04/2023
The Doll Behind the Curtain, a two act, 70-minute chamber opera by Danish-Iranian composer Amir Mahyar Tafreshipour, was first seen...
Reviewed by Andrew Mellor in issue: 04/2023
The life of Joseph Bologne, Chevalier de Saint-Georges, is the stuff of which films are made. Born in 1745, his...
Reviewed by Philip Kennicott in issue: 04/2023
This will come as a novelty to many people. Friend Fritz has been successfully revived in London by Opera Holland...
Reviewed by Richard Lawrence in issue: 04/2023
Pity Albert Lortzing. Sacked from his theatre post in Leipzig, he re-established himself in Vienna only to be forced out...
Reviewed by Richard Bratby in issue: 04/2023
Hot on the heels of The Sixteen’s acclaimed recording with Fretwork of the Psalmes, Songs and Sonnets (11/22) comes a...
Reviewed by Fabrice Fitch in issue: 04/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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