Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It’s second time around for soloist Sandy Cameron in Danny Elfman’s Concerto for amplified violin and orchestra (the subtitle Eleven...
Reviewed by Adrian Edwards in issue: 05/2023
Christian Thielemann’s Bruckner cycle with the Vienna Philharmonic Orchestra continues apace with this refined performance of the Ninth Symphony, recorded...
Reviewed by Christian Hoskins in issue: 05/2023
This is a superb account of the original 1874 version of Bruckner’s Fourth Symphony, first published in 1975 in Leopold...
Reviewed by Richard Osborne in issue: 05/2023
He may be best known for his 17 symphonies but Kalevi Aho (b1949) has also written 38 concertos that, between...
Reviewed by Richard Whitehouse in issue: 05/2023
We’ve had a whiff of Thomas Adès’s ballet score Dante in Gramophone’s pages before. Last year I reviewed a performance...
Reviewed by Andrew Mellor in issue: 05/2023
At the end of a multi-volume survey such as this, one inevitably reflects on the whole project as much as...
Reviewed by Fabrice Fitch in issue: 05/2023
There is a fascinating dichotomy at the heart of this album, one that – for once – produces positive results...
Reviewed by Guy Rickards in issue: 05/2023
That the 21st century seems not only to have liberated cello duos but unleashed them is amply demonstrated by VC2,...
Reviewed by Laurence Vittes in issue: 05/2023
Seth Parker Woods puts his stylistic range and extraordinary musicianship on display in this intensely personal programme. In Fredrick Gifford’s...
Reviewed by Andrew Farach-Colton in issue: 05/2023
The Spektral Quartet kept audiences on the edge of their seats in a vast repertoire from 2010 until last year,...
Reviewed by Donald Rosenberg in issue: 05/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.