Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Violins not spread out but bunched on the left, cellos and basses similarly on the right. The piano is dead...
Reviewed by Nalen Anthoni in issue: 01/2013
This splendidly recorded performance of the Second Concerto accentuates its stark and sudden contrasts – the first movement’s swings of...
Reviewed by DuncanDruce in issue: 01/2013
Different worlds entirely. Kirill Karabits’s Scythian Suite, although occasionally hampered by rather edgeless sound (ie the internal brass in ‘The...
Reviewed by Rob Cowan in issue: 01/2013
Prokofiev’s Romeo and Juliet has fared well on disc, with multiple recordings of the suites and latterly of the complete...
Reviewed by David Gutman in issue: 01/2013
Allan Pettersson’s Sixth Symphony (1963-66) is one of the middle-period symphonies (Nos 5-8) that to my mind represent his greatest...
Reviewed by Guy Rickards in issue: 01/2013
No susurrating strings at the beginning of K466. Claudio Abbado ensures that the syncopated rhythm, though soft, is precisely articulated,...
Reviewed by Nalen Anthoni in issue: 01/2013
With Mahler having held two prominent New York conductorships during the writing of his Eighth Symphony, many listeners at the...
Reviewed by K Smith in issue: 01/2013
The obvious point of comparative reference for this excellent 2011 recording of Liszt’s Dante Symphony is the equally excellent Martin...
Reviewed by Rob Cowan in issue: 01/2013
The recordings on the first of these CDs, reissued to mark Oliver Knussen’s 60th birthday, go back to the early...
Reviewed by Arnold Whittall in issue: 01/2013
Combattimento Consort Amsterdam has achieved respectable success with stylistically accomplished performances of Baroque repertoire using predominantly modern instruments. This is...
Reviewed by David Vickers in issue: 01/2013
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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