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VERDI La Traviata

What binds these Traviatas, made almost 50 years apart, is how neatly one is what the other is not. Natalie...

Reviewed by David Patrick Stearns in issue: 08/2012

Luciano Pavarotti: Portrait

When he died in 2007, Luciano Pavarotti left an estate worth in excess, it is said, of $474 million. It...

Reviewed by Jeremy Nicholas in issue:

WAGNER Götterdämmerung

As with its predecessors in Hamburg’s now complete 2008-10 Ring, Simone Young brings to Wagner’s textures a constant questioning of...

Reviewed by Mike Ashman in issue: 04/2012

VERDI La Traviata

One we can see, one we can’t – but the 40 years that separate these new releases speak volumes in...

Reviewed by Mike Ashman in issue: 04/2012

SCARLATTI Opera Arias

The 350th anniversary of Alessandro Scarlatti’s birth fell in 2010 but did not receive the fuss that one of the...

Reviewed by David Vickers in issue: 04/2012

PUCCINI Tosca

When this operatic feature film first arrived 10 years ago, anybody suffering from cynicism about the publicised ‘love couple’ might...

Reviewed by David Patrick Stearns in issue: 04/2012

JOPLIN Treemonisha

Imagine a parallel universe where the greatest democracy on earth had thought better than to legislate against a fifth of...

Reviewed by Philip_Clark in issue: 04/2012

DONIZETTI Marino Faliero

A tour of the ducal palace is more or less obligatory for anyone visiting Venice for the first time. In...

Reviewed by Richard Lawrence in issue: 04/2012

C(H)OEURS: Choirs/Hearts: A Contemporary Ballet

The punning French title (both ‘hearts’ and ‘chorus’) introduces an abstract dance piece about the voice of The People in...

Reviewed by Mike Ashman in issue: 05/2013

Jonas Kaufmann: Wagner

Turn immediately to the Tannhäuser excerpt. Mighty tents are already pitched on this summit of early Wagnerian arioso – Melchior...

Reviewed by Mike Ashman in issue: 05/2013

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