Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Mahler, to put it mildly, is not an obvious follow-up for an ensemble still fresh from recording Monteverdi. Nor is...
Reviewed by K Smith in issue: 12/2012
For a composer whose reputation rests on twin pillars of symphony and song, Gustav Mahler admittedly has more weight leaning...
Reviewed by K Smith in issue: 12/2012
Requiem Masses written since 9/11 go easy on the Dies irae: do you need to hear the Day of Wrath...
Reviewed by David Patrick Stearns in issue: 12/2012
Although not, in my opinion, the finest of Haydn’s late half-dozen Masses (that accolade goes to the Theresienmesse), the so-called...
Reviewed by Malcolm Riley in issue: 12/2012
It is fitting that two of Delius’s American-inspired works should appear on this recording performed by the Florida Orchestra and...
Reviewed by Jeremy Dibble in issue: 12/2012
This is good news indeed. Having concluded their series of Byrd’s Latin sacred music on ASV and Hyperion, The Cardinall’s...
Reviewed by Richard Lawrence in issue: 12/2012
Unabashed by the number of young British rivals already in the catalogue, the American tenor Nicholas Phan is on his...
Reviewed by Richard Fairman in issue: 12/2012
As the Britten centenary looms into view, it is good to be able to offer an enthusiastic welcome to this...
Reviewed by Malcolm Riley in issue: 12/2012
It is the sad fate of organ concertos to be performed once or twice by the organist for whom they...
Reviewed by Marc Rochester in issue:
The Aurora label has done much to disseminate largely Norwegian music and this disc features three major Nordic cello concertos....
Reviewed by Richard_Whitehouse in issue: 12/2012
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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