Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Metastasio’s libretto L’Olimpiade is an amorous intrigue that takes place at the ancient Olympic Games. First set to music in...
Reviewed by David Vickers in issue: 09/2011
The sonorous bass-baritone of Ildebrando d’Arcangelo, with its oaken middle register and ringing top notes, is certainly an impressive instrument....
Reviewed by Richard Wigmore in issue: 09/2011
When considering Martinu’s symphonies, two points are worth bearing in mind: first, that all six date from Martinu’s maturity; and...
Reviewed by Rob Cowan in issue: 10/2011
Despite her Italian background, Nicola Benedetti, we’re told, “never expected to feel quite so at home” in the Italian Baroque...
Reviewed by DuncanDruce in issue: 10/2011
A protégé of Markevitch and Boulez, Geneva-born Michel Tabachnik steers a sleek and dynamic course through La mer, drawing playing...
Reviewed by Andrew Achenbach in issue: 10/2011
A treasure-trove of historic Barber recordings. The earliest and one of the best known is his own performance of Dover...
Reviewed by Peter Dickinson in issue:
This mixed group of works for string trio were all written when the composers were living in Paris during that...
Reviewed by Edward Greenfield in issue: 10/2011
The figure of Brahms loomed large over late-19th-century Austro-German composers, nowhere more so than in the field of chamber music....
Reviewed by Harriet Smith in issue: 10/2011
Kairos’s previous Cerha release was anchored around the deep-listening fabric of his 1970s orchestral set Spiegel (A/10). It reminded us...
Reviewed by Philip_Clark in issue: 10/2011
This four-CD set of Prokofiev’s nine piano sonatas also includes several fist-shaking gestures for his early anti-Romanticism, complemented by other...
Reviewed by Bryce Morrison in issue: 10/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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