Online classical concerts & events to enjoy this month (January 2025)
Peter Quantrill explores a range of documentaries and concerts from Sir Antonio Pappano, Daniel...
Nothing gave me greater pleasure when listening to these three CDs than Gerald English’s performance of the Britten Serenade, his...
Reviewed by Rob Cowan in issue: 08/2013
Osmo Vänskä’s new Sibelius cycle continues with the First and Fourth, a pairing he evidently likes, as that is how...
Reviewed by Guy Rickards in issue: 08/2013
You expect quality from this source – and you get it here, in abundance. But words like ‘bloom’ and ‘beauty’...
Reviewed by Edward Seckerson in issue: 08/2013
The organisers of the Lucerne Festival and the Lucerne Symphony Orchestra had the idea to mark their 2011 12 season...
Reviewed by Fabrice Fitch in issue: 08/2013
Mozart’s late clarinet masterpieces for Anton Stadler, the Concerto especially, have acquired autumnal, even valedictory associations. Yet those are not...
Reviewed by Richard Wigmore in issue: 08/2013
The Fourth is a neo-classical symphony. So observes Riccardo Chailly in an accompanying feature which, unusually, reflects faithfully in words...
Reviewed by Quantrill in issue: 08/2013
A superb programme – and not only because it represents, in effect, a useful gathering of Janáček’s mature orchestral oeuvre....
Reviewed by Rob Cowan in issue: 08/2013
As an admitted non-specialist in the works of Louis Théodore Gouvy (1819 98), I am perhaps just the sort of...
Reviewed by Geoffrey Norris in issue: 08/2013
Faced with the plethora of recordings of Rhapsody in Blue, I increasingly return to the original jazz-band scoring made by...
Reviewed by Peter Dickinson in issue: 08/2013
Listening to the music of Stephen Gardner prompted an inevitable comparison with the late Steve Martland, of whom Gardner (b1958)...
Reviewed by Richard Whitehouse in issue: 08/2013
Peter Quantrill explores a range of documentaries and concerts from Sir Antonio Pappano, Daniel...
Jed Distler hails a desirable box-set documenting the maestro’s 18-year tenure in Ohio
Jeremy Nicholas browses through two collections of keyboard treasures
Speakers with onboard amplification make plenty of sense if you want high performance without all...
‘This is an altogether absorbing volume, as valuable and enlightening as it is original and...
This flagship player eschews the technology of the company’s other models for a clean sheet...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.