Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
An impressive, distinctive performance of the Bruch, with Arabella Steinbacher combining confident, easy virtuosity with concern to find the right...
Reviewed by Duncan Druce in issue: 09/2013
A pianist of formidable capabilities and a composer who has already written for a number of respected performers and ensembles,...
Reviewed by Richard Whitehouse in issue: 09/2013
Reputedly taken over at short notice from Carlos Kleiber (a story still unproven), Marek Janowski’s first Das Rheingold (1980) was...
Reviewed in issue 09/2013
Karl Böhm was fired up not just by the stage productions of Wieland Wagner in the 1960s (Tristan, The Ring...
Reviewed in issue 09/2013
At this rate, Plácido Domingo is likely to celebrate his 100th birthday singing the Grand Inquisitor in Don Carlo, seeming...
Reviewed by David Patrick Stearns in issue: 09/2013
Ariadne auf Naxos is essentially two one-act operas connected by an impending theatrical train wreck. Two music/theatre troupes – one...
Reviewed by David Patrick Stearns in issue: 09/2013
Only two complete operas by Francesco Provenzale (1624-1704) survive, and with this being a world premiere recording it is safe...
Reviewed by Lindsay-Kemp in issue: 09/2013
‘One of the worst that Handel ever set to music’, ran a contemporary verdict on the libretto of Serse, whose...
Reviewed by Richard Wigmore in issue: 09/2013
The historical Caterina Cornaro was the means by which Venice came to rule the island of Cyprus. She was married...
Reviewed by Richard Lawrence in issue: 09/2013
Lodoïska, performed in Paris in 1791, is sometimes cited as a model for Fidelio. The setting is 17th-century Poland. Count...
Reviewed by Richard Lawrence in issue: 09/2013
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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