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Review of KORNGOLD Violin Concerto Op 25 BRUCH Violin Concerto No 1

KORNGOLD Violin Concerto Op 25 BRUCH Violin Concerto No 1

An impressive, distinctive performance of the Bruch, with Arabella Steinbacher combining confident, easy virtuosity with concern to find the right...

Reviewed by Duncan Druce in issue: 09/2013

Review of ANDRES Home Stretch

ANDRES Home Stretch

A pianist of formidable capabilities and a composer who has already written for a number of respected performers and ensembles,...

Reviewed by Richard Whitehouse in issue: 09/2013

Review of WAGNER Das Rheingold

WAGNER Das Rheingold

Reputedly taken over at short notice from Carlos Kleiber (a story still unproven), Marek Janowski’s first Das Rheingold (1980) was...

Reviewed in issue 09/2013

Review of WAGNER Löhengrin

WAGNER Löhengrin

Karl Böhm was fired up not just by the stage productions of Wieland Wagner in the 1960s (Tristan, The Ring...

Reviewed in issue 09/2013

Review of Placido Domingo: Verdi

Placido Domingo: Verdi

At this rate, Plácido Domingo is likely to celebrate his 100th birthday singing the Grand Inquisitor in Don Carlo, seeming...

Reviewed by David Patrick Stearns in issue: 09/2013

Review of STRAUSS Ariadne auf Naxos

STRAUSS Ariadne auf Naxos

Ariadne auf Naxos is essentially two one-act operas connected by an impending theatrical train wreck. Two music/theatre troupes – one...

Reviewed by David Patrick Stearns in issue: 09/2013

Review of PROVENZALE La Stellidaura vendicante

PROVENZALE La Stellidaura vendicante

Only two complete operas by Francesco Provenzale (1624-1704) survive, and with this being a world premiere recording it is safe...

Reviewed by Lindsay-Kemp in issue: 09/2013

Review of HANDEL Serse

HANDEL Serse

‘One of the worst that Handel ever set to music’, ran a contemporary verdict on the libretto of Serse, whose...

Reviewed by Richard Wigmore in issue: 09/2013

Review of DONIZETTI Caterina Cornaro

DONIZETTI Caterina Cornaro

The historical Caterina Cornaro was the means by which Venice came to rule the island of Cyprus. She was married...

Reviewed by Richard Lawrence in issue: 09/2013

Review of CHERUBINI Lodoïska

CHERUBINI Lodoïska

Lodoïska, performed in Paris in 1791, is sometimes cited as a model for Fidelio. The setting is 17th-century Poland. Count...

Reviewed by Richard Lawrence in issue: 09/2013


 

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