Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Patior – to suffer: that’s the verb at the root of any Passion. Bach’s settings put suffering front and centre,...
Reviewed by Alexandra Coghlan in issue: 07/2023
Schnittke’s set of Psalms of Repentance (‘Verses of Repentance’ is a more accurate translation) is some of the most challenging...
Reviewed by Ivan Moody in issue: 07/2023
Few would argue that Puccini’s Messa a quattro voci con orchestra (more commonly known as the Messa di Gloria) is...
Reviewed by Hugo Shirley in issue: 07/2023
Jordi Savall has recorded Mozart’s Requiem before, in 1991, when everybody and his dog was doing so. That recording wasn’t...
Reviewed by David Threasher in issue: 07/2023
Nearly a decade after his last Mahler album – his Gramophone Award-winning collection of orchestral songs (6/15) – Christian Gerhaher...
Reviewed by Hugo Shirley in issue: 07/2023
Three cheers for this valuable second helping of songs by Elizabeth Maconchy (1907 94) courtesy of those adventurous folk at...
Reviewed by Andrew Achenbach in issue: 07/2023
Following Sono Luminus’s recording of chamber works by Hugi Gðumundsson (1/23), Dacapo brings us the Icelandic composer’s oratorio The Gospel...
Reviewed by Andrew Mellor in issue: 07/2023
Is it too soon to call a work ‘classic Crane’? Well, I’m going to go ahead and say that Natural...
Reviewed by Liam Cagney in issue: 07/2023
The music of Pavel Chesnokov (1877-1944) is well known in the Orthodox choral world but far less well outside it....
Reviewed by Ivan Moody in issue: 07/2023
Complete recorded collections of Bruckner’s motets are not as common as one might expect. For a start they require a...
Reviewed by Malcolm Riley in issue: 07/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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