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JS BACH Organ Works, Vol 4 (Masaaki Suzuki)

For the English organist and composer Percy Whitlock, most of life’s troubles could easily be countered by ‘a long walk...

Reviewed by Malcolm Riley in issue: AW23

JS BACH Goldberg Variations (Víkingur Ólafsson)

Víkingur Ólafsson plays the opening Aria of the Goldberg Variations as a straightforward sarabande, giving no hint of his brisk...

Reviewed by Jed Distler in issue: AW23

JS BACH Six Solo Cello Suites (Florian Berner)

The performance of Bach’s Cello Suites is often surrounded by subtexts that prepare the way for the listening experience, whether...

Reviewed by Jonathan Freeman-Attwood in issue: AW23

Spanish Impressions

How savvy to begin a programme of Spanish piano trio works with Enrique Arbós’s Three Pieces, Op 1, particularly with...

Reviewed by Jed Distler in issue: AW23

An Invitation at the Schumanns'

Here’s a neat concept for an album; and unlike many others, it doesn’t over-determine an understanding of the music. Instead...

Reviewed by Michelle Assay in issue: AW23

Galanterie: The Autumn of the Viola da gamba

André Lislevand’s name will most probably be new to at least the majority of Gramophone readers, but if you’re remotely...

Reviewed by Charlotte Gardner in issue: AW23

Echoes of Bohemia - Czech Music for Wind

'The Bohemians are remarkably expert in the use of wind instruments’, wrote dear old Dr Burney, and naturally enough he’s...

Reviewed by Richard Bratby in issue: AW23

ŽIKOVIČ Citadel of Love

Djuro Živković, born in Serbia in 1975 but long resident in Sweden, has had a meteoric career, the most visible...

Reviewed by Ivan Moody in issue: AW23

THWAITES Chamber Music

It’s not really fair to try and appraise an unfamiliar composer’s voice from a single selection of their works. So...

Reviewed by Richard Bratby in issue: AW23

PETTERSSON Concerto for Violin and String Quartet

Allan Pettersson’s reputation rests still, mostly, on his sequence of large-scale, immensely powerful symphonies. His songs – particularly the 24...

Reviewed by Guy Rickards in issue: AW23

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