Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
You need your wits about you and the volume up to catch the head-motif opening Webern’s String Quartet of 1905,...
Reviewed by Peter Quantrill in issue: 07/2023
Who is this Englishman? Well, it’s Nicola Matteis – not the Italian violinist-composer we usually hear but rather his son...
Reviewed by Lindsay Kemp in issue: 07/2023
Who was it, again, who said that all music was either fundamentally symphonic or fundamentally balletic? In any case, there...
Reviewed by Richard Bratby in issue: 07/2023
Vaughan Williams came late to film composing. By 1940, when he started on his first such score, for 49th Parallel,...
Reviewed by Guy Rickards in issue: 07/2023
Arguably, both recordings here are firsts, as although Skalkottas’s Violin Concerto (1937 38) has appeared on CD before, this is...
Reviewed by Guy Rickards in issue: 07/2023
The Double Concerto for violin and cello is the second work that Philip Sawyers has composed for the prodigiously gifted...
Reviewed by Guy Rickards in issue: 07/2023
Massimiliano Neri cuts an interesting figure among the ranks of 16th-century Venetian composers. He was born around 1620 to a...
Reviewed by Charlotte Gardner in issue: 07/2023
‘You gotta get a gimmick’, Louise is advised in Gypsy. In opera-directing circles, it’s sometimes disparagingly called a Konzept. The...
Reviewed by Mark Pullinger in issue: 07/2023
If Liza Lim isn’t on your musical radar, I suggest you remedy that. I can’t think of many other composers...
Reviewed by Liam Cagney in issue: 07/2023
Riccardo Muti’s tenure with the CSO came to an end in June this year with three performances of Beethoven’s Missa...
Reviewed by Pwyll ap Siôn in issue: 07/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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