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Review of TALLIS Lamentations of Jeremiah

TALLIS Lamentations of Jeremiah

The quiet contemplation of Compline – the final service of the monastic day – provides the framework for this latest...

Reviewed by Alexandra Coghlan in issue: 05/2014

Review of STEFFANI Lagrime Dolorose

STEFFANI Lagrime Dolorose

The musical reputation of Agostino Steffani (1654-1728) is spreading gradually beyond the awareness of a few scholarly cognoscenti but his...

Reviewed by David Vickers in issue: 05/2014

Review of SCHUBERT Winterreise

SCHUBERT Winterreise

For sheer vocal splendour, Jonas Kaufmann is unrivalled in Winterreise since Jon Vickers, whose controversial 1983 recording is revelatory or...

Reviewed by Richard Wigmore in issue: 05/2014

Gramophone Classical Music Awards Winner
Review of SCHUBERT Wanderers Nachtlied

SCHUBERT Wanderers Nachtlied

Schubert is once reported to have exclaimed to a friend, ‘Do you know any cheerful music? I don’t.’ His alleged...

Reviewed by Richard Wigmore in issue: 05/2014

Review of Music for a While: Improvisations on Henry Purcell

Music for a While: Improvisations on Henry Purcell

Having applied Baroque instruments to 20th-century Latin standards in ‘Los pájaros perdidos’ (Virgin, 5/12), for her latest experiment Christina Pluhar...

Reviewed by Lindsay Kemp in issue: 05/2014

Review of POULENC Stabat Mater

POULENC Stabat Mater

The comparative rarity here is the Sept Répons de Ténèbres that Poulenc wrote in 1961 to a commission from Leonard...

Reviewed by Geoffrey Norris in issue: 05/2014

Review of PÄRT Berlin Mass. Seven Magnificat Antiphons

PÄRT Berlin Mass. Seven Magnificat Antiphons

While one might legitimately question the need for another anthology of choral music by Arvo Pärt, this recording creates the...

Reviewed by Ivan Moody in issue: 05/2014

Review of ORFF Carmina Burana

ORFF Carmina Burana

Despite being regarded by some commentators as the work of an ‘odious opportunist’, Carl Orff’s Carmina Burana remains one of...

Reviewed by Malcolm Riley in issue: 05/2014

Review of KARAINDROU Medea

KARAINDROU Medea

Eleni Karaindrou (b1941) is best known for her cinema scores, especially to Theo Angelopoulos’s films (5/99, 12/04, 6/09). The 17...

Reviewed by Guy Rickards in issue: 05/2014

Review of HERSANT Stabat Mater. Clair Obscure

HERSANT Stabat Mater. Clair Obscure

Among the generation of French composers who emerged after the dissolution of the avant-garde, Philippe Hersant (b1948) occupies a distinctive...

Reviewed by Richard Whitehouse in issue: 05/2014


 

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