Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Miklós Spányi has probably done more than anyone alive to promote CPE Bach’s waywardly inspired keyboard music, sometimes bizarre, even...
Reviewed by Richard Wigmore in issue: 06/2015
Setting a grand opera on a grand opera-house stage costumed at the time of its premiere has been done before...
Reviewed by Mike Ashman in issue: 06/2015
Nikolay Leskov is probably best known to English readers, certainly to English music lovers, as the author of The Lady...
Reviewed by John Warrack in issue: 06/2015
This 2013 ‘Rossini in Wildbad’ production of Guillaume Tell is probably as fine an achievement as any in the festival’s...
Reviewed by Richard Osborne in issue: 06/2015
Dido and Aeneas strikes me as a piece that struggles to gain a great deal from modern-day opera-house stagings. The...
Reviewed by Lindsay Kemp in issue: 06/2015
There is a thorny issue about how much (or little) of Il ritorno d’Ulisse in patria (Venice, 1640) is actually...
Reviewed by David Vickers in issue: 06/2015
The only explanation for Alfred is that it was a practice opera. Dvořák's first attempt in the medium, it was...
Reviewed by David Patrick Stearns in issue: 06/2015
Like Les martyrs (see below), La favorite – which had its Paris premiere at the end of the same year...
Reviewed by Mike Ashman in issue: 06/2015
It seems an excellent idea to take extracts from different settings of the story of Semele. Marais’s tragédie lyrique Sémélé...
Reviewed by David Vickers in issue: 05/2015
Long before he titled his first solo disc ‘Héroïque’, Bryan Hymel achieved hero status by filling in for fallen comrades...
Reviewed by David Patrick Stearns in issue: 05/2015
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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