Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Like Josquin before him, Palestrina composed two Masses on the ‘L’homme armé’ tune, one for four voices on the Dorian,...
Reviewed by Fabrice Fitch in issue: 09/2015
Given that the voice dominates Dallapiccola’s output, it always seems surprising that he wrote so few songs. A handful of...
Reviewed by Tim Ashley in issue: 09/2015
In 1616 the 14-year-old Cavalli joined Monteverdi’s choir at St Mark’s in Venice, and eventually in 1668 he became its...
Reviewed by David Vickers in issue: 09/2015
Harrison Birtwistle uses the term ‘song’ repeatedly in the three-minute extract from an interview included on the disc – but...
Reviewed by Arnold Whittall in issue: 09/2015
In the 18th century the Bendas were to Bohemia what the Bachs were to Thuringia. Most famous of the musical...
Reviewed by Richard Wigmore in issue: 09/2015
Masaaki Suzuki may have completed his distinguished 20-year traversal of the sacred cantatas but there are, thankfully, some additional vocal...
Reviewed by Jonathan Freeman-Attwood in issue: 09/2015
Perhaps the most remarkable thing about this disc is the sound quality. It is a concert recorded in a kind...
Reviewed by Jeremy Nicholas in issue: 09/2015
How do you listen to an album? I ask because it will have a significant impact on your enjoyment of...
Reviewed by Alexandra Coghlan in issue: 09/2015
Perhaps one way to guarantee a hit-rate of better, more informed television music documentaries would be to hand composers a...
Reviewed by Philip Clark in issue: 09/2015
They are precise and very accomplished. We cannot ask for better technique from Les Buffardins. But a group of only...
Reviewed by Nalen Anthoni in issue: 09/2015
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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