Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Having already recorded Brahms’s First Sonata, Op 78, Isabelle Faust and Alexander Melnikov complete the set with a performance of...
Reviewed by Duncan Druce in issue: 10/2015
First, hats off to the Belcea and Emerson quartets for astonishingly accurate and coordinated accounts of the Lyric Suite, even...
Reviewed by Peter Quantrill in issue: 10/2015
The musicologist Stefano Aresi and his intrepid ensemble Stile Galante turn their microscope on the Milanese castrato Luigi Marchesini (1755-1829),...
Reviewed by David Vickers in issue: 10/2015
Not usually one to go overboard about Italians, Mozart was delighted with the singing of Francesco Benucci, star of Vienna’s...
Reviewed by Richard Wigmore in issue: 10/2015
This is the fifth performance since 2004 you may be able to access of the first Ring opera under Simon...
Reviewed by Mike Ashman in issue: 10/2015
It’s wonderful to see Tchaikovsky’s Iolanta finally receiving its due. Peter Sellars’s quirky staging appeared at Aix-en-Provence this summer and...
Reviewed by Mark Pullinger in issue: 10/2015
Rossini’s La gazza ladra, based on the story of a French peasant girl who was hanged for thefts later discovered...
Reviewed by Richard Osborne in issue: 10/2015
‘Pass by, epileptic dunghill without grandeur, hysterical trash-heap of plays and shows!’ The words are Fernando Pessoa’s in his ranting...
Reviewed by Tim Ashley in issue: 10/2015
Here we go again. Sven-Eric Bechtolf is another theatre director who doesn’t understand Così fan tutte. Correction: he understands it...
Reviewed by Richard Lawrence in issue: 10/2015
Hard on the heels of Yannick Nézet-Séguin’s DG recording of Mozart’s Ottoman Singspiel (DG, 8/15) comes this radical version from...
Reviewed by Tim Ashley in issue: 10/2015
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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