Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
A jet engine revs at the start of Mothership (2010) by Mason Bates, something like a spacecraft taking off. (At...
Reviewed by Kate Molleson in issue: 04/2016
In recent years Gil Shaham has taken up the cudgels for the music of a decade which, he would argue,...
Reviewed by David Gutman in issue: 04/2016
This new disc of Bach concertos has attributes we have come to expect from the Dunedin Consort and Linn, namely...
Reviewed by Lindsay Kemp in issue: 04/2016
Atterberg’s Third Symphony was assembled in stages between 1914 and 1916 from ideas for three seascapes/tone-poems that – after the...
Reviewed by Guy Rickards in issue: 04/2016
This is the fourth disc to be devoted exclusively to the music of Julian Anderson and the second such venture...
Reviewed by David Gutman in issue: 04/2016
Back in the May 2005 issue of Gramophone, Bryce Morrison extolled the virtues of a Scarlatti disc by a young...
Reviewed by Harriet Smith in issue: 04/2016
Aficionados of French (or France-based) opera will warm to ‘Paris, mon amour’ by the Bulgarian soprano Sonya Yoncheva. Schooled in...
Reviewed by Geoffrey Norris in issue: 06/15
In their search for the vocal stars of the future, Rosenblatt Recitals have enjoyed an impressive hit-rate. Now that the...
Reviewed by Richard Fairman in issue: 03/2016
This is a curious project. Suzi Digby and her new professional choir ORA champion today’s British choral composers as the...
Reviewed by Alexandra Coghlan in issue: 03/2016
This collection revolves around a range of seldom-performed songs by Charpentier. The title alludes to three stanzas on texts taken...
Reviewed by David Vickers in issue: 03/2016
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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