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Review of BEETHOVEN Complete Piano Trios (Weiss Kaplan Stumpf Trio)

BEETHOVEN Complete Piano Trios (Weiss Kaplan Stumpf Trio)

This beautifully recorded new set of Beethoven’s piano trios with violinist Mark Kaplan, cellist Peter Stumpf and pianist Yael Weiss...

Reviewed by Laurence Vittes in issue: 12/2023

Review of Ekaterina Siurina: Where is my beloved?

Ekaterina Siurina: Where is my beloved?

Ekaterina Siurina first came to prominence more than two decades ago as a coloratura soprano, much admired for her Gilda,...

Reviewed by Tim Ashley in issue: 11/2023

Review of SMYTH Der Wald (Andrews)

SMYTH Der Wald (Andrews)

Der Wald (‘The Wood’) was the second of Ethel Smyth’s six operas and the first of her four one-acters: only...

Reviewed by Guy Rickards in issue: 11/2023

Review of SCHREKER Der Schatzgräber (Albrecht)

SCHREKER Der Schatzgräber (Albrecht)

With over 350 performances across Europe in the first half of the 1920s, Der Schatzgräber (‘The Treasure Seeker’) was not...

Reviewed by Christian Hoskins in issue: 11/2023

Review of MOZART Bastien et Bastienne PERGOLESI La servante maîtresse (Jarry)

MOZART Bastien et Bastienne PERGOLESI La servante maîtresse (Jarry)

‘The public came in their droves to hear such delectable songs … finally cement[ing] the era of great revolution in...

Reviewed by Alexandra Coghlan in issue: 11/2023

Review of MONTEVERDI Il ritorno d’Ulisse in patria (Gonzalez Toro; Etienne)

MONTEVERDI Il ritorno d’Ulisse in patria (Gonzalez Toro; Etienne)

The Homecoming of Ulysses, like its successor The Coronation of Poppaea, is a problem opera. It was first performed in...

Reviewed by Richard Lawrence in issue: 11/2023

Review of GLUCK Écho et Narcisse (Niquet)

GLUCK Écho et Narcisse (Niquet)

Écho et Narcisse (1779) was Gluck’s sixth tragédie lyrique for Paris. Produced just four months after the first run of...

Reviewed by David Vickers in issue: 11/2023

Review of FUX La corona d’Arianna (Bernardini)

FUX La corona d’Arianna (Bernardini)

This festa teatrale, composed in 1726 to mark the Empress’s birthday, was staged anew in Graz last year, part of...

Reviewed by Fabrice Fitch in issue: 11/2023

Review of DONIZETTI Don Pasquale (Pidò)

DONIZETTI Don Pasquale (Pidò)

Don Pasquale is a bellwether opera. The time was when it was widely seen as a comic gem – a...

Reviewed by Richard Osborne in issue: 11/2023

Review of DESMAREST Circé (O’Dette; Stubbs)

DESMAREST Circé (O’Dette; Stubbs)

Hot on the heels of the first recording of Desmarest’s Circé (1694) by Les Nouveaux Caractères comes Boston Early Music...

Reviewed by David Vickers in issue: 11/2023


 

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