Review - David Oistrakh: The Warner Remastered Edition – The Complete Columbia & HMV Recordings
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
This beautifully recorded new set of Beethoven’s piano trios with violinist Mark Kaplan, cellist Peter Stumpf and pianist Yael Weiss...
Reviewed by Laurence Vittes in issue: 12/2023
Ekaterina Siurina first came to prominence more than two decades ago as a coloratura soprano, much admired for her Gilda,...
Reviewed by Tim Ashley in issue: 11/2023
Der Wald (‘The Wood’) was the second of Ethel Smyth’s six operas and the first of her four one-acters: only...
Reviewed by Guy Rickards in issue: 11/2023
With over 350 performances across Europe in the first half of the 1920s, Der Schatzgräber (‘The Treasure Seeker’) was not...
Reviewed by Christian Hoskins in issue: 11/2023
‘The public came in their droves to hear such delectable songs … finally cement[ing] the era of great revolution in...
Reviewed by Alexandra Coghlan in issue: 11/2023
The Homecoming of Ulysses, like its successor The Coronation of Poppaea, is a problem opera. It was first performed in...
Reviewed by Richard Lawrence in issue: 11/2023
Écho et Narcisse (1779) was Gluck’s sixth tragédie lyrique for Paris. Produced just four months after the first run of...
Reviewed by David Vickers in issue: 11/2023
This festa teatrale, composed in 1726 to mark the Empress’s birthday, was staged anew in Graz last year, part of...
Reviewed by Fabrice Fitch in issue: 11/2023
Don Pasquale is a bellwether opera. The time was when it was widely seen as a comic gem – a...
Reviewed by Richard Osborne in issue: 11/2023
Hot on the heels of the first recording of Desmarest’s Circé (1694) by Les Nouveaux Caractères comes Boston Early Music...
Reviewed by David Vickers in issue: 11/2023
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
In our current dark times we need Debussy as much as ever. And this book is a perfect way in if you...
Rob Cowan’s monthly survey of historic reissues and archive recordings
Rob Cowan on the legacies of a trio of conductors in the music in which they excelled
Rob Cowan dives into Warner’s second volume of Wolfgang Sawallisch’s recordings
It’s hard to think of another book about a specific instrument that goes quite as deep as this
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.