Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
In August 2014 Martha Argerich and Daniel Barenboim came together at the Teatro Colón, Buenos Aires, for their first-ever joint...
Reviewed by Richard Bratby in issue: 08/2016
The 12 Cellists of the Berlin Philharmonic play tangos: you just know it’s going to sound gorgeous, and it does....
Reviewed by Richard Bratby in issue: 08/2016
Vierne endured an unfairly troublous life: he was born nearly blind; both his wife and subsequent partner left him; he...
Reviewed by Jeremy Nicholas in issue: 08/2016
Mark Simpson has said that extramusical ideas or narrative structures help his music ‘flow’ more easily. The only work on...
Reviewed by Andrew Mellor in issue: 08/2016
It is tempting, for simplicity’s sake, to describe Prokofiev’s violin sonatas as polar opposites – at least in terms of...
Reviewed by Hannah Nepil in issue: 08/2016
If Michael Praetorius’s music has been widely anthologised, the same is not true of his close contemporary, Erasmus Widmann, who...
Reviewed by Fabrice Fitch in issue: 08/2016
Anthony Poole (c1629-1692) is an obscure composer, no doubt of that. The catalogue of his works runs to over 300...
Reviewed by Lindsay Kemp in issue: 08/2016
Mozart’s penchant for lower-voiced instruments found one of its finest chamber outlets in the Kegelstatt Trio, K498, supposedly composed during...
Reviewed by David Threasher in issue: 08/2016
Eighteenth-century keyboard trios were regularly billed as ‘sonatas for the harpsichord or fortepiano, with the accompaniment of violin and violoncello’....
Reviewed by Richard Wigmore in issue: 08/2016
The writer Iain Sinclair once told me in an interview that Beat culture provided him with a very necessary escape...
Reviewed by Philip Clark in issue: 08/2016
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
'This is a treasure trove of information, thoroughly recommended'
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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